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    Home»News & Featured»News»Taylor Swift and Put up Malone high the charts once more. How lengthy can their dominance final? : NPR
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    Taylor Swift and Put up Malone high the charts once more. How lengthy can their dominance final? : NPR

    popandedm.comBy popandedm.com19 June 2024No Comments5 Mins Read
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    Taylor Swift on stage in France in May, during the European leg of her Eras Tour. Since its release in April, Swift's latest album, The Tortured Poets Department, has been the top album in the United States for eight consecutive weeks.

    Taylor Swift on stage in France in Might, throughout the European leg of her Eras Tour. Since its launch in April, Swift’s newest album, The Tortured Poets Division, has been the highest album in america for eight consecutive weeks.

    JULIEN DE ROSA/Getty Photographs

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    JULIEN DE ROSA/Getty Photographs

    This week on the Billboard pop charts, up-and-comers hit new milestones, juggernauts perpetuate their streaks atop the charts and a veteran rock band returns to the highest 10. However subsequent week, a rustic star threatens Taylor Swift’s dominance.

    TOP SONGS

    Final yr, Morgan Wallen’s “Final Night time” topped the singles chart for many of the summer season, together with 10 weeks in a row in Might-July. This yr, Wallen’s inescapable duet with twice-as-inescapable Put up Malone (“I Had Some Assist”) sits atop the Hot 100 songs chart for a fifth straight week. In the event you, like Billboard, wish to assume when it comes to “the song of the summer,” Wallen has your reply but once more.

    After that, the most important story is the continued rise of Sabrina Carpenter, who joins the highest three for the primary time ever — and, the truth is, joins it twice, as her brand-new tune “Please Please Please” makes its chart debut at No. 2 and the indefatigable “Espresso” hits a brand new chart peak at No. 3. Carpenter’s busy 2023 stands to take off even additional as she builds towards the discharge of Quick n’ Candy, her new album, on August 23.

    In the event you’re in search of an esoteric milestone to contextualize Carpenter’s success, be aware that she’s simply the second act within the historical past of the Sizzling 100 — the primary being The Beatles, and so they have been a reasonably large deal, it seems — to make their debut within the chart’s high three with two songs without delay. (To make clear: Different artists have landed their first two singles within the high three on the identical time, together with Iggy Azalea and DaBaby, however all of these artists had featured performers who have been additionally billed on no less than one of many charting songs in query. Not so for Carpenter or the artist with whom she’s now synonymous, The Beatles.)

    Two of the season’s different dominant new faces, Shaboozey and Tommy Richman, spherical out the Prime 5 with “A Bar Tune (Tipsy)” and “Million Greenback Child,” respectively. Eminem’s “Houdini,” to not be confused with Dua Lipa’s “Houdini,” plunges from No. 2 to No. 8 in its second week. And the Prime 10 has one other new entry within the type of Billie Eilish’s frothily interesting “Birds of a Feather,” which rises from No. 11 to No. 9.

    TOP ALBUMS

    In the event you love Taylor Swift’s The Tortured Poets Division, you’re no stranger to listening to the identical factor occur over and again and again. So that you’ll little doubt have a good time that, for the eighth week, The Tortured Poets Division as soon as once more rides excessive atop the Billboard 200 albums chart.

    Nonetheless, bother is brewing — if, by “bother,” you imply “an album that’s prone to be extra common in its first week of launch than The Tortured Poets Division is in its ninth week.” Along with her equal album items dropping this week from 148,000 to 128,000, Swift seems to be particularly weak to Luke Combs’ new album, Fathers & Sons, which got here out this previous Friday, simply in time for Father’s Day. Actually, with Billie Eilish’s Hit Me Laborious and Gentle rising from No. 3 to No. 2 on the energy of “Birds of a Feather” — and selecting up 106,000 equal album items within the course of, although Eilish’s numbers have additionally been dipping since Laborious and Gentle’s launch — it’s conceivable that Swift may drop all the best way to No. 3 subsequent week.

    Elsewhere, the Prime 10 welcomes three very totally different new entries, with chart debuts for Charli XCX’s fizzy gem Brat (No. 3) and Bon Jovi’s Ceaselessly (No. 5), in addition to the most recent boomlet of the ascendant Chappell Roan, whose The Rise and Fall of a Midwest Princess ticked up from No. 12 to a brand new chart peak at No. 10. Bolstered by her efficiency on the 2024 Governor’s Ball on June 9 — in addition to the presence of three singles presently racing up the Sizzling 100 — Roan is the primary artist to climb into the Prime 10 for the primary time after 12 or extra weeks on the chart since Noah Kahan pulled off the feat practically a yr in the past. (Sure, that’s one other esoteric metric. However should you’re in search of indicators {that a} sluggish rise equals an extended keep, be aware that Kahan’s Stick Season continues to be within the Prime 10, coming in at No. 8.)

    WORTH NOTING

    Discuss endurance: With the No. 5 debut of Ceaselessly, Bon Jovi has now had an album chart within the Prime 10 within the Nineteen Eighties, ’90s, 2000s, ’10s and ’20s. This yr marks the fortieth anniversary of Bon Jovi’s self-titled debut, and the band is now the fifth group to position a brand new album on the Prime 10 in every of the final 5 a long time, becoming a member of AC/DC, Def Leppard, Metallica and U2.

    Just about all of Ceaselessly’s chart success is derived from pure album gross sales reasonably than streaming — it’s really the week’s high vendor — so don’t anticipate the file to remain excessive on the charts within the coming weeks. However its first single, “Legendary,” has scored stable radio-airplay numbers, which is particularly spectacular when you think about that it’s obtained competitors from Bon Jovi songs which were dominating some stations’ playlists for the reason that late ’80s. (Lookin’ at you, “Livin’ on a Prayer.”)



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