{"id":5131,"date":"2024-07-11T16:11:58","date_gmt":"2024-07-11T15:11:58","guid":{"rendered":"https:\/\/popandedm.com\/index.php\/2024\/07\/11\/rema-heis-reviews\/"},"modified":"2024-07-11T16:11:58","modified_gmt":"2024-07-11T15:11:58","slug":"rema-heis-reviews","status":"publish","type":"post","link":"https:\/\/popandedm.com\/index.php\/2024\/07\/11\/rema-heis-reviews\/","title":{"rendered":"Rema &#8211; HEIS | Critiques"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<p>The rise of afrobeats \u2013 and its myriad offshoots \u2013 as a really world pressure is one in every of twenty first\u00a0century\u2019s defining music impulses. But shattering the glass ceiling can current a number of issues \u2013 in any case, how do you keep management of the lens your artwork is seen by means of? Take Rema. The star packed out the O2 Enviornment in London, however visuals that referenced beliefs and traditions from his native Benin Metropolis had been misconstrued. As such, new album \u2018HEIS\u2019 represents an try and faucet again into his basis, to re-assert his core values.<\/p>\n<p>11 tracks, no filler. Solely a handful of friends, and all of them near Rema. \u2018HEIS\u2019 seems like his true testomony, his autobiography, unfiltered and true. \u2018MARCH AM\u2019 is a blasting opener, an announcement of muscular ambition that refuses to cowtow to expectations. \u2018AZAMAN\u2019 ratchets the vitality up even additional, whereas the delirious \u2018HEHEHE\u2019 merges braggadocio to depraved afrobeats manufacturing to create one thing infectious but in addition unsettling \u2013 Rema desires you on the sting of your seat, completely.<\/p>\n<p>\u2014<\/p>\n<p><img decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns=\" http:=\"\" alt=\"\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/07\/rema-second-album.jpg?w=1581&amp;h=1054&amp;crop=1\"\/><img decoding=\"async\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2024\/07\/rema-second-album.jpg?w=1581&amp;h=1054&amp;crop=1\" alt=\"\"\/><\/p>\n<p>\u2014<\/p>\n<p>\u2018YAYO\u2019 dials it down a bit, permitting some soulful facets to creep in, whereas the mighty \u2018BENIN BOYS\u2019 is a vital message of cultural self-worth \u2013 refusing to shy from harsh truths, Rema nonetheless emerges emboldened, backed by Shallipopi.<\/p>\n<p>Title lower \u2018HEIS\u2019 has a daring, virtually cinematic association, one knowledgeable by the traditions that run deep within the communities that birthed Rema. There\u2019s additionally some unimaginable low-end, too \u2013 the diasporic connections between Benin Metropolis, American hip-hop, and UK membership music run deep.<\/p>\n<p>\u2018OZEBA\u2019 is all machine gun snares and purring vocals, a piece of complete immediacy. \u2018WAR MACHINE\u2019 nonetheless seems like a piece of mourning, with Rema backed by fellow breakout ODUMODUBLVCK.<\/p>\n<p>Closing with the mighty \u2018VILLAIN\u2019 and the electrifying, wholly anthemic \u2018NOW I KNOW\u2019, it is a file that calls for you consideration with its whiplash velocity. Distinct from his 2022 debut \u2018Rave &amp; Roses\u2019, this feels uncompromising, and new. \u2018HEIS\u2019 is the work of an artist emboldened, and undimmed.<\/p>\n<p>8\/10<\/p>\n<p>Phrases: Robin Murray<\/p>\n<p>\u2014<\/p>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.clashmusic.com\/reviews\/rema-heis\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The rise of afrobeats \u2013 and its myriad offshoots \u2013 as a really world pressure is one in every of twenty first\u00a0century\u2019s defining music impulses. But shattering the glass ceiling can current a number of issues \u2013 in any case, how do you keep management of the lens your artwork is seen by means of?<\/p>\n","protected":false},"author":1,"featured_media":5133,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"_links":{"self":[{"href":"https:\/\/popandedm.com\/index.php\/wp-json\/wp\/v2\/posts\/5131"}],"collection":[{"href":"https:\/\/popandedm.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/popandedm.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/popandedm.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/popandedm.com\/index.php\/wp-json\/wp\/v2\/comments?post=5131"}],"version-history":[{"count":1,"href":"https:\/\/popandedm.com\/index.php\/wp-json\/wp\/v2\/posts\/5131\/revisions"}],"predecessor-version":[{"id":5132,"href":"https:\/\/popandedm.com\/index.php\/wp-json\/wp\/v2\/posts\/5131\/revisions\/5132"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/popandedm.com\/index.php\/wp-json\/wp\/v2\/media\/5133"}],"wp:attachment":[{"href":"https:\/\/popandedm.com\/index.php\/wp-json\/wp\/v2\/media?parent=5131"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/popandedm.com\/index.php\/wp-json\/wp\/v2\/categories?post=5131"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/popandedm.com\/index.php\/wp-json\/wp\/v2\/tags?post=5131"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}